Let's be honest, folks. Horror can be a minefield of clichés. We've all seen them—the predictable jump scares, the last girl (or guy) standing, the antogonist who refuses to die. But why do these tropes endure, and can we find a way to embrace them without rolling our eyes?
1. Last Girl Standing – The Final Girl:
Ah, the Final Girl. She's resourceful, she's smart, and she's usually the only one left standing after the bad guy has had its way with the rest of the cast. Think Laurie Strode in "Halloween" or Ginny from "Friday the 13th part 2". In literature, this trope finds its roots in novels like Riley Sager's "Final Girls," where the whole novel gives its unique spin to this trope.
Why it works: The Final Girl embodies resilience, empowerment, and innocence, giving us the ultimate underdog to root for in the face of overwhelming odds.
2. Evil, Evil, Where for Art Thou Evil? – Summoning Evil:
This is the age-old tradition of messing with forces we don't understand. Whether it's an ancient curse, a Ouija board, or a book bound in human skin, someone always seems eager to poke the darkness. Look no further than the unspeakable rituals in H.P. Lovecraft's "The Dunwich Horror" for a chilling example.
Why it works: It taps into our primal fears of the unknown and the consequences of hubris. We're simultaneously horrified and fascinated by the idea of unleashing something terrible.
3. Did You Hear That Noise? – Follow That Sound:
Curiosity may have killed the cat, but in horror, it's usually the humans who get the short end of the stick. That creaking door, the mysterious whisper, the eerie music—it's a siren song for characters who should know better. Take Eleanor Vance in Shirley Jackson's "The Haunting of Hill House." She's drawn to investigate strange noises in the night, with disastrous consequences.
Why it works: It plays on our innate curiosity and the fear of what might be lurking in the shadows. It also creates suspense as we wait for the inevitable reveal.
4. You Go That Way, I'll Go This Way… – Splitting Up:
It seems like common sense, but in horror, characters often abandon all logic and split up to investigate a spooky house or dark forest. This tactic rarely ends well. Remember the teenagers in "Friday the 13th" or the ill-fated group in "The Cabin in the Woods"? Yeah, they should have stuck together. This happens in books too, such as in "The Hunting Party" by Lucy Foley where isolating oneself becomes a fatal mistake.
Why it works: It creates opportunities for multiple scares and allows the threat to pick off victims one by one, building tension and suspense.
5. Sex, Drugs, and Rock 'n' Roll – Death to Sinners:
This trope has been around since the slasher films of the 80s, where promiscuous teens were often the first to get the axe. In literature, it can be traced back even further, with morality tales often punishing those who indulge in vice. Think about the gruesome fates of characters in Edgar Allan Poe's stories, like "The Tell-Tale Heart" and "The Cask of Amontillado," where murder is the ultimate punishment for perceived wrongs.
Why it works: It taps into our cultural anxieties about morality and consequences. It also plays on the fear of being punished for our desires and transgressions.
6. Double Tap That Monster – Bad Guys Who Revive in the Final Moments:
You've defeated the villain, the tension has eased, and you think it's safe to exhale...but wait! There's a sudden gasp, a twitching limb, and the realization that evil isn't so easily vanquished. Horror loves to pull this trick, giving us false hope before delivering one last heart-stopping scare. In "Scream", even though Billy Loomis lays dead on the floor, he lurches up one last time before Sidney shoots him between the eyes.
Why it works: It amps up the tension and reminds us that even in victory, there's always a lingering threat. It can also serve as a metaphor for the persistence of trauma or the cyclical nature of evil.
7. Creepy House, Sure Let's Go – The Abandoned Place:
Abandoned houses, hospitals, asylums – these are the playgrounds of horror. They're filled with shadows, creaking floorboards, and whispers of past tragedies. In "The Woman in Black" by Susan Hill, Arthur Kipps learns that not all houses are meant to be lived in.
Why it works: These locations tap into our fear of the unknown and the decay of time. They create an eerie atmosphere where anything could be lurking around the next corner.
8. Oh, No! No Signal – Failing Technology:
In our increasingly connected world, the fear of technology failing is a real and relatable one. Horror films and novels have exploited this fear for years, from the isolated hotel in "The Shining" by Stephen King where a snow storm has knocked out the phone lines and Jack destroys the radio to "No Exit" by Taylor Adams where cell service is out and snow impedes her car. Damn all that snow!
Why it works: It plays on our dependency on technology and the vulnerability we feel when it's taken away. It also isolates the characters, making them easy prey for whatever lurks in the darkness.
9. Mr. Whiskers! – The Cat Jump Scare (Movies):
This one is a bit of a cinematic cheat, but it's incredibly effective. Just when the tension is building, a cat leaps out of the shadows, startling the characters (and the audience). It's a cheap thrill, but it works. Think about the countless horror movies that have used this tactic, from Jonesy in "Alien" to Alice Hardy's cat in "Friday the 13th Part 2."
Why it works: It's a primal fear response. Unexpected movement and loud noises trigger our fight-or-flight instincts, resulting in a jolt of adrenaline.
10. Do Tell, Mr. I-Know-the-Backstory – Minor Character Exposition:
Ah, the expositional character. Their sole purpose seems to be to explain the history of a cursed object, the villain's backstory, or the town's dark secrets. Often, they're the local librarian, the creepy old man, or the wise elder who has seen too much. In "Pet Sematary" by Stephen King, the next door neighbor Jud Crandall, shares the history about the pet cemetery and the sour land beyond.
Why it works: It's a necessary evil. Sometimes, the backstory needs to be explained, and a minor character is a convenient way to do it without interrupting the flow of the narrative.
So there you have it, dear readers. Ten horror tropes that have become so ingrained in the genre that they're practically unavoidable. But remember, even clichés can be used effectively when handled with creativity and a self-aware wink. So next time you encounter one of these tropes, embrace it for what it is: a familiar face in the darkness, a shared shiver of fear, a reminder that we're all in this spooky world together.
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